The work on display showcased a variety of styles and hues, but true to form, they all possessed that ink-to-paper tactile quality indicative of hand-screened art.

I also loved how the posters were printed on all kinds of papers.

Here’s Mike Perry himself, Chelsea and Mike’s pal J.

Mike gave a talk about his silk-screened work, process and inspiration. He then gave a demo, silk-screening an intricate design onto the copies of Pulled.

It was inspiring to see the transformation of the covers. Each book came out a little different.

Mike’s energetic puppy was also at the gallery.

Move over Gocco, I might need to set up a silk screening station as soon my home “office” is up and running.

This boxy, colorful, little bird went straight to the mantel piece for display.

He’s got a great personality. I love his long legs when he stands up, and the bright colors:

Carol is a talented Brazilian artist now living in San Francisco. Obrigada!

I’m sure the Cloud Appreciation Society, who wrote the book and gathered the photography, share my excitement. I wrote a blog post about this book showing more images of it here. It’s also in my portfolio. It’s good having your head in the clouds!

It features home photos of injured pets, on their way to recovery, from the site Animals with Casts. The design uses scanned found papers, ribbons, and cut out patterns.

Although it’s sad that these little guys were hurt, they’ve all been cared for with love and in many instances pictured all better.

It’s a sad-funny book, meant to tug at heart strings, and be a comforting get-well gift for little buddies of all ages. Each spread was a uniquely created collage, like one get-well card at a time, with design help from Cat Grishaver.

Coincidentally, the little fella above is my “Dog Son” Pixel, who got an enormous cast on his leg after a luxating patella surgery. I took the photo on the right, showing him recovered and back to his happy camper mode.

The pile of books what actually quite heavy to hold up and keep steady.

My friend Emily kindly helped me hold them up between shots.

Then I had this idea:

Holding them on my head was actually pretty easy but balancing them without using my hands was another story. The whole thing only took about 20 minutes. But it was such a riot I could have done it all day.

Anyway, I hope the new lagasa.com design functions okay.

Thanks!

The chapter openers incorporate scans of the actual textiles used in the photographs (aprons, table cloths, even a shirt!) They lend a vintage, homespun quality to the design. I also pulled the colors for the book from these textiles and from the photos, which used many bright and somewhat rustic props.

Photographer Sara Remington and prop stylist Kami Bremyer did brilliant work, all of it shot at the author’s house in Berkeley, CA.

D.I.Y. Delicious also has many process shots, from kneading bread, to pressing tortillas to making yogurt (below).

I was very lucky to work with author Vanessa Barrington. She is incredibly knowledgeable, super nice, and passionate -all great qualities in a teacher, and great for a do it yourself kind of a book. She knew what kind of aesthetics she wanted, but she was also open minded, so we were able to try unusual colors and design moves here and there.

For many reasons this book make me wish I could also design my kitchen and my meals based on it.

It comes with a disposable (recyclable) marketing sheet, leaving the box free of any text or branding. The pattern illustration is by Hannah Stouffer.

The interior is lined with flocked black paper giving it a soft, velvety feel. Inset card-stock lightly holds the 30 envelopes upright.

The dare cards have a purple pattern on the back and red type on the front, and the prompt cards have red pattern and purple type. Set is Caslon.

I love the element of surprise in this gifty sex title.

Basically Get High Now has meditative highs, stimulants, calming highs, things to eat, ways to breathe… So as a result the illustrations had to meet diverse needs. They include commissioned illustrations, patterns and stock imagery.

I’m happy with how colorful and accessible it looks despite being somewhat dense and only two colors. And I love the illustrations by Nancy Chan who worked with Sumi-e inks from photographs.

It’s a pretty funny and far out book in a non-stoner/hippy way. The Get High Now website features a pretty cool iPhone app based on some of the highs in the book.

Although the book does have secret agents, ties with the Middle East and physical danger for her staff, it is not in itself a violent or blood story. That’s why none of the design concepts below worked. They were too violent. These sketches are specially creepy given that I used a real politician’s portrait.

The sketch covers below show some of the final concepts we were considering. The middle two covers are by Allison Weiner. I wrote a little bit about this here.

It was an interesting and long process to find just the right visual metaphor.

This has a paperback cover with spot gloss over the snake scales, embossing on the title and author name, and spot metallic ink in the background.

The book block or page edges are dyed black to emphasize the “dark” in erotica, and to add refinement to the overall object.

And I love that it is shiny!

The interior has a traditional design, like X, with Avenir titles and Caslon body text. Hannah Stouffer also created little spot illustrations for the start of each story.